Description
Georg Philipp Telemann represents, in the Germany of his time, the perfect synthesis of Italian and French styles (the idea of goûts-réunis) in a musical manière that pervades German aesthetics, creating a taste rich in already “European” suggestions. To the same extent Johann Sebastian Bach makes French and Italian experiences his own while maintaining a personal and unmistakable style. The three compositions presented here well describe this aesthetic in their form: the Overture-Suite.
